After Baby, now film Pink, next year it would be Naam
Shabana and in the middle of this all, there would be at least three more movies
that Taapsee Pannu would be seen in. For someone who has been termed gifted actor
ever since she made her big screen debut down South, this young Punjabi woman
has been making her presence felt in the industry.
In fact when it comes to Pink, time and again movies
belonging to this genre carry a pre-notion of being grim, niche, dark or
serious. How has it been guaranteed by producer Shoojit Sircar, director
Aniruddha Roy Chowdhury and the team of actors (Kirti Kulhari, Andrea Tariang)
to make the narrative entertaining enough as well, so as to reach out to a
larger section of audience?
"The inherent intensity and energy of the script,"
promptly comes the reaction from Taapsee, "I have definitely used that
energy and vent it all out. We had that thing in mind to reach out to a good
section of audience and hence narrated the film as a thriller. Pink is not a
documentary. We are not telling you what to do and what not to do. We are not
telling who is right and who is not. We are showing what has happened to the
characters in the story and it is up to you as an audience to take back home
what suits your judgment and mental stance."
The movie deals with a sensitive subject of molestation. A
subject like this can't be expected to be entertaining per se in true terms.
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